1.0Djabehttps://djabe.hu/encsader.szilviahttps://djabe.hu/en/author/csader-szilvia/rich600338<blockquote class="wp-embedded-content" data-secret="XNMQ8RYFpW"><a href="https://djabe.hu/en/js_albums/20-dimensions-2/">Djabe: 20 dimensions 2DVD</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://djabe.hu/en/js_albums/20-dimensions-2/embed/#?secret=XNMQ8RYFpW" width="600" height="338" title="“Djabe: 20 dimensions 2DVD” — Djabe" data-secret="XNMQ8RYFpW" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://djabe.hu/wp-includes/js/wp-embed.min.js /* ]]> */ </script> https://djabe.hu/wp-content/uploads/2016/09/2016_20_dimensions_2DVD.png140921062016 studio album of the band celebrating its 20thAnniversaryThe studio album of 2016 made in the innovative spirit accustomed to Djabe. Compared to the previous album ‘Forward’ recorded in tandem with the Miskolc Symphonic Orcestra ‘20 Dimensions’ emphasize on the acoustic and fusion vein of the band, with added modern electronica. The disc features 20 tracks or dimensions with a framed structure. At the beginning formulates the basics of dimensions, the concept of the album while the final, no. 20 track colligates with a philosophic view and the angle for continuation. Records composed by Tamás Barabás and Attila Égerházi are interconnected by 9 improvisations (Transition 1 to 9). These improvisations feature not only the work of the band members but of Malik Mansurov (tar) and Sára Kovács (didgeridoo, flute). Compositions of Tamás Barabás have the vigorous and sweeping characteristics accustomed to the artist, while those made in tandem with Attila Égerházi summon the lyric tone of the first period of Djabe history. Review of ‘20 Dimensions’ by László N. Göbölyös:“We’re invited for a scientific experiment. A kind wished by many to perform with any and all methods: accessing more and more space-time extent to unfold before us. No need for spacecrafts, telescopes or hadron colliders just some imagination and five musicians and some more who walked by. This is the invitation we get at the beginning of Djabe’s ‘20 Dimensions’ (the title also featured on the front cover in the binary code 10100). The picture on the cover features 12 hands in action (Ferenc Kovács featured twice as he plays both trumpet and violin). A sci-fi-esque intro and an also cryptic outro frames the nexus of pieces: 9 new piece connected by 9 transitions. Latter records born from the improvisations of band members and guest stars and while we can’t find two with the same zest, build or mood all has the same spirit within to form a perfect whole; pieces can be looked at as insight into separate dimensions while transitions represent the thrill traveling to the unknown.